Weird - Review Round-up (3)

Another batch of Weird reviews from the past week. Thanks again to Carlos Lopez for sourcing many of these:

Russ Holsten, SLUG Magazine:

The truth of the matter is that Weird is a guitar record. Hatfield is the real deal. She can give you the hollow echo of Jerry Garcia, the pre-grunge sludge of Crazy Horse and the pop drive of Girlfriend-era Matthew Sweet. But make no mistake, Hatfield has her own unique guitar sound, and she lets that sound rip through this entire record. The best example of this is on the stunning track “Lost Ship.” She sings: “I wanna ride in a spaceship in my mind.” Just when you settle in to that pure sugar buzz a blistering guitar arrives halfway through the song—it’s lush, fuzzy and atmospheric with plenty of precision. It drives the Hatfield sound safely home.

Michelle Lindsey, Highway Queens:

Weird is the sound of an artist embracing herself and who she has become with pride and grace. It’s a refreshing and reassuring listen for anyone who has ever felt like an outsider. Weirdos of the world unite.

Frank Valish, Under The Radar, (8/10):

In all, listening to Weird brings to mind Hatfield's 1995's album Only Everything. Coming after her breakout album Become What You Are, with The Juliana Hatfield Three, Only Everything took the mold and stretched it. The melodic touch and lyrical examination remained but there was something new, something more eccentric, something, to steal her own album title's word, weird. The pleasures of Weird reward frequent listening. It is an album that begs repeating as soon as one reaches the last bouncing notes of "Do It to Music."

Lee Zimmerman, Paste, (7.3/10):

...Weird provides an apt analogy for those who feel out of touch with a world that’s so askew. To some degree, it should also provide assurance for all those who feel the same.

Closed Captioned:

The hooks are still there on songs like “Receiver” and on “Lost Ship,” but Hatfield seems determined to show us another side and it’s all wonderful in its representation. Whatever compelled Hatfield to return to releasing music on the regular, we welcome it if albums like Weird are the end result.